{"id":3637,"date":"2017-09-04T17:56:14","date_gmt":"2017-09-04T15:56:14","guid":{"rendered":"http:\/\/pirem.org\/?p=3637"},"modified":"2017-09-04T17:56:14","modified_gmt":"2017-09-04T15:56:14","slug":"documentaire-pierre-henry-vers-une-musique-totale","status":"publish","type":"post","link":"http:\/\/pirem.org\/index.php\/2017\/09\/04\/documentaire-pierre-henry-vers-une-musique-totale\/","title":{"rendered":"Documentaire : \u00ab Pierre Henry, vers une musique totale \u00bb"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><a title=\"Documentaire\" href=\"https:\/\/www.francemusique.fr\/emissions\/l-experimentale\/documentaire-pierre-henry-vers-une-musique-totale-36144\" target=\"_blank\">Pour \u00e9couter le documentaire, cliquez ici<\/a><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/pirem.ghouas.fr\/wp-content\/uploads\/2017\/09\/unnamed.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-thumbnail wp-image-3638\" title=\"unnamed\" src=\"https:\/\/pirem.ghouas.fr\/wp-content\/uploads\/2017\/09\/unnamed-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" \/><\/a>Pierre Henry 01\/02\/1971 , \u00a9 INA \/ Michel Lioret<\/p>\n<p>\u00ab\u00a0<a href=\"https:\/\/www.francemusique.fr\/personne\/pierre-henry\" target=\"_blank\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=fr&amp;q=https:\/\/www.francemusique.fr\/personne\/pierre-henry&amp;source=gmail&amp;ust=1504626655172000&amp;usg=AFQjCNE8PdTRsw5cTEn0CIm8BDDh-a3nfQ\"><strong>Pierre Henry<\/strong><\/a>\u00a0est n\u00e9 le 9 d\u00e9cembre 1927 \u00e0 Paris, il \u00e9tudie la musique d\u00e8s l\u2019\u00e2ge de septs ans. En 1944, guid\u00e9 par Olivier Messiaen, il compose et pense la musique du futur. Sa rencontre avec Pierre Schaeffer est d\u00e9terminante pour sa cr\u00e9ation. Inventeur de proc\u00e9d\u00e9s techniques de composition maintenant largement standardis\u00e9s, il reste fid\u00e8le dans sa musique aux moyens analogiques de la musique Concr\u00e8te \u00bb Acte Sud<\/p>\n<p><strong>En co-production\u00a0<a href=\"https:\/\/www.francemusique.fr\/personne\/ina-grm\" target=\"_blank\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=fr&amp;q=https:\/\/www.francemusique.fr\/personne\/ina-grm&amp;source=gmail&amp;ust=1504626655172000&amp;usg=AFQjCNFS6dqFSdHkvXoE7bzKd-D3jIrrfw\">INA GRM<\/a>\u00a0et France Musique<\/strong><\/p>\n<p>Un documentaire d\u2019Alexandre Bazin avec des archives de l\u2019INA, avec Pierre Henry et Florence Delay.<br \/>\nLes textes lus par Florence Delay,sont issus du livre de Pierre Henry :\u00a0<a href=\"http:\/\/www.actes-sud.fr\/catalogue\/litterature-francophone\/journal-de-mes-sons\" target=\"_blank\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=fr&amp;q=http:\/\/www.actes-sud.fr\/catalogue\/litterature-francophone\/journal-de-mes-sons&amp;source=gmail&amp;ust=1504626655172000&amp;usg=AFQjCNF19P7nFRZGbaVgpCe1zQfZunpyaQ\">Journal de mes Sons<\/a>\u00a0\u00e9dit\u00e9 chez Acte Sud.<\/p>\n<h2>Musiques de Pierre Henry :<\/h2>\n<ul>\n<li><em>Dracula<\/em>\u00a0&#8211; 2002<\/li>\n<li><em>Futuristie<\/em>\u00a0&#8211; 1975<\/li>\n<li><em>Pierres R\u00e9fl\u00e9chies<\/em>\u00a0&#8211; 1982<\/li>\n<li><em>Symphonie pour un Homme Seul<\/em>\u00a0&#8211; 1950<\/li>\n<li><em>Antiphonie<\/em>\u00a0&#8211; 1951<\/li>\n<li><em>Orph\u00e9e 53<\/em>\u00a0&#8211; 1953<\/li>\n<li><em>Haut Voltage<\/em>\u00a0&#8211; 1956<\/li>\n<li><em>Arcane<\/em>\u00a0&#8211; 1955<\/li>\n<li><em>La Reine Verte<\/em>\u00a0&#8211; 1963<\/li>\n<li><em>Messe pour le Temps Pr\u00e9sent<\/em>\u00a0&#8211; 1967<\/li>\n<li><em>Variations pour une Porte et un Soupir<\/em>\u00a0&#8211; 1963<\/li>\n<li><em>Orph\u00e9e Ballet<\/em>\u00a0&#8211; 1958<\/li>\n<li><em>Mouvement Rythme \u00c9tude<\/em>\u00a0&#8211; 1970<\/li>\n<li><em>Variance<\/em>\u00a0&#8211; 2006<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Pour \u00e9couter le documentaire, cliquez ici Pierre Henry 01\/02\/1971 , \u00a9 INA \/ Michel Lioret \u00ab\u00a0Pierre Henry\u00a0est n\u00e9 le 9 d\u00e9cembre 1927 \u00e0 Paris, il \u00e9tudie la musique d\u00e8s l\u2019\u00e2ge de septs ans. En 1944, guid\u00e9 par Olivier Messiaen, il compose et pense la musique du futur. Sa rencontre avec Pierre Schaeffer est d\u00e9terminante [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-3637","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/pirem.org\/index.php\/wp-json\/wp\/v2\/posts\/3637","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/pirem.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/pirem.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/pirem.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/pirem.org\/index.php\/wp-json\/wp\/v2\/comments?post=3637"}],"version-history":[{"count":0,"href":"http:\/\/pirem.org\/index.php\/wp-json\/wp\/v2\/posts\/3637\/revisions"}],"wp:attachment":[{"href":"http:\/\/pirem.org\/index.php\/wp-json\/wp\/v2\/media?parent=3637"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/pirem.org\/index.php\/wp-json\/wp\/v2\/categories?post=3637"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/pirem.org\/index.php\/wp-json\/wp\/v2\/tags?post=3637"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}